Batman: Dark Victory - Jeph Loeb and Tim Sale

The cover shows Batman and Robin--Batman with his fist out and Robin carrying a rope.  Dark Victory  is 388 pages long, and the first sign of Robin does not appear until page 235.  Thus the cover of Dark Victory is somewhat misleading: one expects it to be the story of how Robin and Batman met and joined forces, but this is really just a minor tangent of the story.  Dark Victory is best viewed as the sequel to The Long Halloween and, as such, should be compared to it.  For this book does not live up to the standards of The Dark Knight Returns, The Killing Joke, Red Son, or Watchmen--the four graphic novels that I have decided represent the pinnacles of the medium.  It is on par with The Long Halloween, and I would state that it is slightly better, because there is only one inconceivable plot twist at the end, rather than several.

The prologue picks up where The Long Halloween left off--essentially retelling the story of the serial killer "Holiday."  We see Holiday in Arkham Asylum being interviewed by the new Gotham District Attorney, Janice Porter.  Porter wants to reopen Holiday's case on the grounds that the police committed a violation of the 8th amendment in their capture of him (he endured "quite a beating").  Commissioner Gordon does not think this is wise but the D.A does not need his approval to reopen the case.  Batman shows up right after and Gordon says, "I miss him."  Batman says, "Don't."

Chapter 1, "War" recreates a scene that is by now, more than familiar: Batman's origin story.  However we also see Carmine "The Roman" Falcone tell a young Bruce Wayne that his father saved his life, and that if he ever needed a favor, he knew who to call.  We then see a major character in Dark Victory, Sofia Falcone Gigante, "The Roman's" daughter.  Members from another crime family, the Maronis, are present in this sort of funereal ceremony.  Batman is watching and Selina Kyle is inside.  The place gets busted up, but nobody "big" is captured by Gordon.  We then see Selina Kyle visit Bruce Wayne while he is swimming in his pool, accompanied by another member of the Falcone family.  We then see Janice Porter visit Gordon again:

"District Attorney Janice Porter.  As a result of Harvey Dent's removal from office, the City Council moved quickly to replace him.  Harvard Law, top of her class.  Six years as D.A. in Boston.  A lot of experience in a short amount of time.  But Boston is not Gotham City." (35)

So at least we know that (it's not Chicago, either, which is where Gordon came from).

We also see the Gotham City Bridge on page 42 and it looks a lot like the Brooklyn Bridge.  Also, remember a key scene from The Dark Knight Rises--Gotham City is unmistakably New York City.  And it is with deep regret that I must take a moment from this review and state that I will not be able to  film Batman in Brooklyn because I will be leaving this place in about a month.  It is with a very heavy heart that I announce this, but instead we will have to move forward with Back to the Future Part 2: Present, which will star my younger brother in Michael J. Fox's multiple roles in that film, and I will play Doc.  If anyone wants to make Batman in Brooklyn, however, I will gladly help to produce the film and help with the screenwriting.  Moving on...

Shortly after this (still on "War") it is Halloween night--the one year anniversary of "The Roman's" death.  Amazingly, we see Batman visit Two-Face in Arkham Asylum, during which mayhem ensues.  Poison Ivy makes an appearance, "Holday" stays in his cell even though the glass has been shattered, and Two-Face escapes.  Then, the scene shifts to a courtroom, where Judge Harkness allows "Holiday" to be kept under house arrest with an electronic monitor kept on his leg at all times.  Then we see that one police officer has been hanged, and many of Harvey Dent's files have been stolen from the D.A.'s office.  Attached to the hanged policeman's chest is a note, with a drawing of the children's game Hangman:

"N_NE _F Y__ _RE S_FE" (64)

The next chapter, "Secrets" involves Batman's attempt to solve the riddle by asking, who else, The Riddler.  We then see what happens to former Commissioner Loeb.  At this point, I am going to stop with the plot retelling because I do not want to spoil the rest.  Suffice to say that The Long Halloween is about a series of unsolved murders of members of crime families, and Dark Victory is about a series of unsolved murders of police officers.  In a sense this makes it like Year One, but that is more about Batman's first forays into crime-fighting and police corruption.  Dark Victory is sort of like all of these books mashed up into one--with Robin as the defining element, as noted on the cover.

All villains in the rogue's gallery make appearances: Poison Ivy, Joker, Catwoman, Riddler, Two-Face, Solomon Grundy, the Calendar Man, Scarecrow and notably, Mr. Freeze.   But this is really about the crime families.  And it is really about The Long Halloween, or a new way to interpret that book.

There is a great scene where Harvey Dent represents himself in court, and when asked if he swears to tell the truth he says, "I can't answer that question...because I'm not Harvey Dent.  The name is Two-Face."  (304)

There is also a nice little tidbit that Janice Porter went to Gotham University Law School while Harvey Dent was a young professor there, and that she transferred to Harvard.  In her Harvard yearbook it reads "Voted most likely to be D.A.  Favorite subject: criminal law."

Brooklyn Law School will not be putting out a yearbook this year, sadly.  I would like to put this under my picture if it did: "Voted most likely to be the first Supreme Court justice with a mediocre performance in law school; favorite subject: bankruptcy."  Of course our school does not take such votes, probably because few people know a majority of their 477 classmates.  Harvard is even bigger, and I would be interested to know if they publish such a yearbook (I have my doubts).

Before we conclude, it is worth noting in passing that Batman "sees himself" in Robin and initially is not really cool with the idea of having a sidekick.  Mostly we see Alfred supervising Dick Grayson (who is about 13--maybe slightly younger than his female version in The Dark Knight Returns), but Batman does offer a few words:

"Dick Grayson has been living in Wayne Manor.  It has been a...difficult transition.  For both of us.  And I cannot help but wonder if I have made a mistake by interceding in the boy's life.  My attention has been splintered.  I will find out who killed Dick's parents.  He needs that closure.  But, tonight is a holiday and I am needed elswhere." (264-265)

Later, Batman reveals his true identity to Dick Grayson and it signals the moment in which their partnership will begin.

That's most of what I wanted to say about this book.  It's a quality read (and as always, the illustration is fantastic) but it's not an example of the height of the genre.  There may be still another sequel to this book (Haunted Knight?) and I would gladly read it, though I would not have high expectations.

As a final note I do not think the Superman franchise was catapulted into the same league as the Batman franchise by its most recent film.  I did not see it, but the popularity at the box office is the barometer by which I measure the popularity of the superheroes.  Red Son should be made into a movie--THAT would be AWESOME.  But I don't think the world is ready for that yet.

The Long Halloween and Dark Victory could be made into movies, but they'd be too complicated.  And  I recently watched an animated film of Batman: Year One which was a very faithful and quality adaptation of the book.  But I don't think there's enough material for a movie--or at least people might not be as interested in it, because I really believe Jim Gordon is the protagonist of that book, and not Batman.  Still (since Batman in Brooklyn is on indefinite hiatus) The Dark Knight Returns could be made and I have very little doubt that it would do every bit as well at the box office as any of the three recent films (if not better).

Batman: Year One - Frank Miller and David Mazzucchelli with Richmond Lewis

The opening page has something very titillating:

THE CRIME BLOTTER
by Slam Bradley
OOPS!  SHE DID IT AGAIN!
Gossip diva Vicki Vale got her legendary, notoriously firm, shapely fanny tossed into the hoosegow yet again after trying to lift an estimated $11,320.00 worth of merchandise from the Sprang.  The cutie klepto pled guilty.  After paying for the loot and promising on a whole big heap of bibles to seek counseling, she got off with a wink and nod to the judge.
Leave us say the dame knows how to wink.
One juror says she even blew a kiss to the horny old fart.
You can't make this crap up!

It is with something of a heavy heart that I cannot recommend Batman: Year One as highly as some of the previous comic books reviewed here.  Make no mistake--Year One is a good read--but I came into it expecting The Long Halloween to get blown out of the water.  Now, Year One may be a "more perfect" and "concise" work than The Long Halloween (and indeed lacks the "triple-twist" which perhaps undermines the rest of the story of Halloween) but it is not as creative or imaginative as Red Son, Watchmen, or The Dark Knight Returns.  In short, the last review (of The Long Halloween) included a statement by Jeph Loeb that Year One was the true masterpiece in the Batman graphic novel world (even though The Dark Knight Returns possessed the greater cultural cache).  I cannot agree with him.

There is really very little to complain about here, and so this review will likely be short.  The story opens and closes with Lieutenant Jim Gordon.  He and Batman share equal billing in this volume--Gordon may even get higher billing.  This could be a flaw of the book--that Batman's character is not as well-developed as you would expect for his "origin" story.  Bruce Wayne does appear, on the second page, returning to Gotham City after 12 years "abroad."  He has not yet become Batman, and (while I do seem to be dismissing the praise this book has received) there are a few excellent scenes where he takes his first stabs at crime-fighting.

Bruce Wayne appears in public as a "playboy" who is given to drunken excess and womanizing.  This is all a ploy to detract attention from his new role.  In his first "fighting scene" he walks through Gotham's red-light district and gets solicited by a very young looking prostitute, who is also not very experienced.  Her pimp explains that she is doing it all wrong, and that she is picking out the "wrong" type of client--that Wayne in his disguise (which is really just a scar he makes across his face) could be "vice."  Selina watches from a window above, making catty comments: "Oh.  Geez...Can't be Vice.  We're Paid up.  Just some idiot out to get himself killed....You know what I hate most about men, skunk?  Never met one."  (11)

Selina (or Catwoman) makes a couple appearances and, as usual, establishes herself as neither an ally or enemy of Batman--though certainly leaning towards the former.

This book is not really about Batman so much as it is about Gordon and the corruption of the Gotham City Police Department.  D.A. Harvey Dent does not get a much bigger role than a few choice scenes.  The Mayor of Gotham and the Commissioner are corrupt.  Many police officers are just as bad as the criminals, and are in fact in cahoots with the criminals (Carmine "The Roman" Falcone--who is a major character in The Long Halloween, makes a brief appearance towards the end of this story).

It is mainly about Gordon fighting corruption within the Department, but also about Batman's fumbling first attempts, which are quite entertaining:
"The costume works--better than I'd hoped.  They freeze and stare and give me all the time in the world...I come in close on the one who looks the strongest--throw him a growl I've brought all the way from Africa----and suddenly everything falls to pieces.  The one to my left calls for his mother----to my right the other collects his senses and leaps to position--he'll be trouble----the strong one gets scared--too scared--No----I'm no killer----he screams like a girl----can't be older than fifteen----a child--just a child----the one I was worried about takes his shot----he's trained--kick's got power--" (31)

Probably the strongest part of the book is Chapter Three: Black Dawn, in which Batman is trapped in an enclosed area and surrounded by cops who are intent on killing him.  He uses a device that he has not yet tested out on these conditions.  This is probably the best scene in the entire book, in terms of Batman action. And that is a lot of what this book is about--action and fighting sequences.  I would have liked to see more character development.

Lieutenant Gordon, as noted, gets the majority of that.  In fact, there are a few nice panels that certainly bring the paintings of Edward Hopper to mind (and are referenced accordingly) and show that Gordon is certainly not perfect, either.  This is the first time (maybe the only time) that he takes a somewhat immoral tack, and for that alone it is significant.  By the end of the story, Gordon has made a few strides in his war on crime, and has befriended Batman (at something of an arm's length) and is waiting for help because someone named the Joker has poisoned the Gotham reservoir.

So, the opening page, which seems to identify this book as The Dark Knight Returns Pt. 2 sadly does not come to pass.  Vicki Vale is just a name, not a journalist as in the Tim Burton film.  We don't get to see her, or her apparent fall from grace.  There is no Robin, male or female.  There are no bad guys who are trying to hide their identity.  There is just police corruption.  So in one sense this book is the "most realistic" of the Batman comic books, but that quality also makes it the most mundane.  It is well-done on the whole, but lacks the sort of excitement and imaginative excess that the other pieces boast.  It is not long and it is probably worth reading--many others seem to view it as the epitome of the "Batman renaissance" in the comic book world, so I suggest you check it out before buying into my view.  But I can't help the way I feel--for my money, The Dark Knight Returns is the book that will really "knock your socks off"--Year One will just serve as a nice ottoman as you relax by your fire.

Batman: The Long Halloween - Jeph Loeb & Tim Sale

The Long Halloween will be the first comic book/graphic novel that I review here that gets less than a perfect review.  This is not to say that it is a bad book, but it cannot touch any of the four previously reviewed works (which all very well may be nearly impossible to equal).  At the very least the introduction (by Jeph Loeb) states that Batman: Year One is actually the "preferred" classic in both his and Tim Sale's opinion, "while not as much the pop culture icon" as Frank Miller's other highly-acclaimed Batman book (reviewed here - it all seems so long ago....).  Ultimately, this "failure" is understandable, as The Long Halloween is a collection of a 13-issue series.  So it is more like a regular comic book than any of those previous four.  And that tends to show.

Now we cannot fault Loeb & Sale for filling in the "latecomers" to the series and repeating information previously reported in earlier issues, but this is the primary defect I can state.  This book is 370 pages long and I read it in one day.  That may sound impressive but it's really not.  Red Son is 151 pages long and took me two days to read.  Watchmen took me a very long time to read (mainly because I wanted to savor the experience).  The Dark Knight Returns took me a good four days or so to read.  The only one I read faster was The Killing Joke and that is only a single-issue "one-off" (and it was also much more dense than The Long Halloween).

And yet this book is definitely worth reading, even if it goes down too fast.  It seems like finally here, we have the closest influence on the new Batman trilogy.  This is a story about Carmine "The Roman" Falcone--who is a mob boss--and his competitor Maroni--both of which appeared in Batman Begins and The Dark Knight (The Dark Knight Rises did not have the "mafia element" in it, from what I recall) respectively.  That I cannot recall their "subplots" in those films with any confidence is perhaps a sign that when Batman tries to weave into "Mafia territory," general interest seems to dip.  Still, this is a good story.  It is, however, a little bit cheap in the way three or four twists are introduced in the final 30-40 pages (and especially the epilogue, which, while not terrible, stands in deep contrast to the peerless ending to Red Son).

The story concerns Batman, Commissioner Gordon, and D.A. Harvey Dent (it is worth noting that this book was especially useful for me as I continue to visualize Batman in Brooklyn) and their efforts to bring down Falcone, whose family is the "evil" that is terrorizing Gotham City.  There is nothing particularly strange about this Batman or this Gordon--but this Dent is perhaps the strongest element of the book and probably the most compelling portrayal of the character thus far.  I will not reveal the manner in which Dent "becomes" Two-Face in this, but it does happen, and while The Dark Knight certainly gave a better treatment to Two-Face/Dent than Batman or Batman Forever, it seems modeled off of this book, and dressed up for greater dramatic effect.

However, Falcone is not the main focus of the book--that would have to be Holiday--which is the name of the serial killer that drives the plot of the book, killing another person (generally from Falcone's extended family) on each holiday.  The identity of Holiday becomes the major question in the book and as mentioned above, is ultimately somewhat unsatisfying.

Yet along the way there are an insane number of other villains: Catwoman (?), the Calendar Man, the Joker, "Solomon Grundy (?)," Poison Ivy, Scarecrow, The Mad Hatter, The Riddler, and even the Penguin (though I must say his appearance is abbreviated).  There is no Robin, and there is no Batgirl (no Superman either, though Metropolis is referenced once).  They may be getting used to add "padding" to an otherwise thin plot, but I really don't want to be too uncharitable to this book, because it really is a fine effort.  I would give it four out of five stars (if I am using a 5 star system for books instead of a 4 star one) and all previously reviewed comics five stars.

Again, it is not very easy to transcribe passages from the work, but there is one part that stands out:

"My father had an old Dictaphone.  He kept it in his study.  He would make recordings.  I can still hear his voice...'When faced with a seemingly insurmountable problem...your only option is to act swiftly, some might even say irrationally.  Removing the most dangerous elements first....and methodically attacking each subsequent challenge in a separate, but deliberate manner.'  He was referring...to surgery." (347-349)

I hope this review has not come off too harshly, because the book itself is drawn extremely well, and it is never boring (if it were boring I would not have read it in a day).  So I recommend it--but not ahead of the other two Batman books previously reviewed.