Showing posts with label Shellac. Show all posts
Showing posts with label Shellac. Show all posts

Monday, May 1, 2017

Pissed Jeans - 4/28/17 @ Empty Bottle, Chicago, IL


I haven't been on Facebook as often over the past couple weeks, but I still managed to notice a new concert meme.  I felt like participating in that and adding Pissed Jeans to the list.  This show already famously recreated the same lineup (The Catburglars, STNNG)  from the first time they played in Chicago in 2008.  In 2008, I knew a little about the band, but I wouldn't have gone out of my way to see them.  This was not going very far out of my way, and only cost $10.  Advance tickets were sold out however, so I needed to show up at 9 PM.  I checked the set times after being admitted, probably the 25th person in line or so.  PJ did not go on until Midnight, so I had some time to kill.

I don't write reviews of every concert I see.  I felt the need to do it for Shellac because, even though it was not my first time seeing them, my appreciation for them had deepened recently.  This is also the case for PJ, but additionally in this case, I spent much more.  I spent more than necessary at Shellac because I actually had an extra ticket go to waste, because the girl I bought them from would only sell them as a pair.  It was worth it for me for $45, but perhaps I felt the need to memorialize it because of spending that extra amount.  Here, something similar has happened, as I spent about $60 on the whole experience, and felt terrible the next day (though I think the weather exacerbated my feelings)--but it's not really been about the money.  Here, it is to share all of my awkward experiences with you.  I asked a couple friends if they wanted to go with me, but they all declined or failed to respond.  I didn't know about this show until about 2 PM that day, and I got super excited.

So as mentioned above, I had some time to kill after entering at 9, and I started by having a PBR draft as it was only $3.  I drank it relatively fast and walked around the venue, sat down on the raised stage part and looked at my phone for a while, reading the latest e-mail from a pen pal.  I played the Neo Geo game for $0.25, which was fun even though it was basically like playing an arcade version of Snood.  I left, and went to a fast casual restaurant, Leghorn.  I went back in, and had another drink.  I walked over to my spot on the raised stage from before and watched the Catburglars.  They were primarily entertaining for their frontman, who was hilarious.  For some reason I feel like this was a reunion show?  They played fast, very repetitive riffs, and their singer was somewhat laconic, but then also extremely fierce at times.  For some reason he kind of reminded me of Milo Aukerman?  Anyways I think he is married and a dad now, and the most memorable moment of their set came when he apologized for making sexist and misogynistic statements in the past, and he thanked the people that called him out on it.  Everybody clapped but somebody shouted "booo" and he was like, "Who's boo-ing? Do you really want to be known as less woke than the Catburglars?" In short, they cracked me up and they were fun.

After their set, I went out and bummed a smoke off someone.  He was with his friend, the only real PJ fan in their group of 4, that had advance tickets (on his birthday), and I chatted with them briefly.  They were very nice, a few years older than me probably, but not more than 10, and I mentioned to them about seeing who I thought was Matt Korvette at their merch table and how he left shortly after I saw him, as if seeking to avoid an impending awkward conversation.

Talking about it gave me more resolve, and I saw him there again and decided to talk to him.  I told him an extremely awkward story about a previous experience I had at Empty Bottle, involving Mac Mccaughan, in his place, basically, as the object of all my awkward affection.  I really do love them both, but Mac has truly been an idol of mine for many years now.  Anyways that is what I said when I approached him.  I was like, "Oh man, I idolize you!"  He was super nice, and he was like, "Thank you."  He asked my name and we shook hands.  And I told him this awkward story and maybe I will post it below in the comments if anyone cares, because I have written about it, and his reaction was like, "Oh no, hang in there."  And then I basically apologized for telling the story, because there was really nothing relevant about it, except that it was the second artist encounter, and the first one nearly resulted in a situation oddly related to the name of the second.  As I struggled with whether to say anything else, the second band thundered onto the stage, and I told him I was excited to see them and said goodbye.

I really did not pay much attention.  I think my mind was fixated on how badly I had messed up my opportunity to talk to Matt Korvette.  So I finished a third drink, another PBR draft, and went to the ATM and paid a $2.75 surcharge basically in order to get a t-shirt.  But I only had three dollars left and wanted one more drink.  I also went out to bum another smoke.

There I met Danny, who was not actually the one to give me the smoke, but had also questioned this on-the-spot friend regarding vegetation in Chicago, specifically trees, and to name some different types of greenery, at which point "deciduous" was uttered, and an understanding was reached.  This person left though, and another (Bill) replaced him, as audience to Danny's musings, which were quite entertaining.  He recommended the City Museum in St. Louis, as I mentioned I might take a weekend trip there this summer.  Then he and Bill got going on Black Sabbath, as Bill mentioned seeing Dio at Pop's in St. Louis.  I asked them which were the best Sabbath albums and they both agreed the first one was the place to start and that I should listen to it.  They also said Master of Reality was very good, and then there were 2 later albums--maybe Dehumanizer was one of them?  In any case I listened to these the next day I could not really get into them.  They made me paranoid and kind of scared and sad.  But I had a good time talking to Danny and then I went in and got my last drink and tried to get the best spot I could as the band would be going on in a few minutes.

Setlist as I remember it:
I'm a Man
Boring Girls
The Bar is Low
Have You Ever Been Furniture?
Ignorecam
(Won't Tell You) My Sign
Romanticize Me
Love without Emotion
Worldwide Marine Asset Financial Analyst
False Jesii, Part 2
Half Idiot
Pleasure Race
She is Science Fiction
Encore
Bathroom Laughter
Some other song where MK played guitar

There are more than a few songs I am missing, and this order is totally off.  But I know for sure they played all those songs, and it was awesome!  I had told the birthday guy outside that I would be satisfied if they played "Boring Girls" and he said they would probably play it.  It was fantastic, and here is a video of it, where you can see MK give a girl a dollar from the stage hilariously.

However, I also took video of the first song, which I was impressed to see recreated on stage.  It is worth seeing.  It was a cool way of doing what stands out as one of the more unusual tracks PJ has done.




And here is the aforementioned scorcher of an opener:








The other highlights for me were "Worldwide Marine Asset Financial Analyst," "False Jesii, Part 2," and "Bathroom Laughter."  So I haven't captured the most rousing moments of the set, but I also felt like an idiot holding my phone up.  I really hate being one of those guys.  It appears that the last two songs are over 100 megabytes and so cannot be uploaded.  The closing song, I swear during that MK said, "This song is for the Chicago Bulls," who had been eliminated by the Celtics earlier that evening.  

After the show, I bought a t-shirt and maybe I will update this one day soon and show the picture of the shirt as I did with Shellac.  Later I regretted getting this t-shirt because I do not think my mom would appreciate it if I wore it to be photographed with her.

In short, I had a wonderful time at the show--but too wonderful of a time.  I paid for it the next day with severe depression, which was probably exacerbated by watching Manchester by the Sea later that evening.  But I have zero complaints about PJ--though on the ride home, ironically, "Slow Drip" by Superchunk came on my playlist, followed by "Human Upskirt" by PJ and I reflected that it was one of the few songs, along with "Cat House," that I would have liked to hear.  But I loved the set, I wish they just got to play for 90 minutes instead of 60--but then maybe you wouldn't have the $10 cover.  Everybody was super nice and polite to me for it being such a hardcore show, except for the one guy that kind of shoved me meanly in the mosh pit.  I highly recommend you see PJ if you ever get the opportunity.  I told their drummer, after getting the t-shirt from him, that I hoped they would be back before 2020 (but if not I understood).  If they ever come back and Matt is available to talk, I will have much more interesting topics of conversation prepared.  

Sunday, April 3, 2016

Shellac - 3/30/16 @ Bottom Lounge, Chicago, IL

I had been meaning to see Shellac for more than a year and a half.  They had last played Chicago in July of 2014, and had fallen off my radar, so I missed them.  They play randomly, it's not like they're announcing their tours on Pitchfork.  When I first heard about this show, it was already sold out.  Luckily I was able to get a ticket from a girl on craigslist.

Actually, it was two tickets, and I paid $45 for them.  I ended up wasting one of the tickets, and I could get into the whole situation about how I tried to give them to certain other people (it's really interesting stuff, trust me) and write myself into oblivion, but I'll just admit that I wasted one ticket.  Still, I had been toying with the idea of going to Barcelona in May to go to the Primavera Festival just to get to see them.  This was a bargain.

However, I showed up at 8:00 and had to wait 15 minutes to get inside, the line out the door.  It was raining outside.  As we got inside, I could hear the distinct sound of Shellac playing "Dude Incredible" and "You Came in Me."  At first I presumed they were just playing the latest album to psyche people up or something in the restaurant/bar area of Bottom Lounge, but when I got into the view of the doors people were entering through, into the venue space, I noticed the sound got louder, and that was actually Shellac playing.  Fuck.  They were the opening band for MONO.  When I had checked the website earlier, MONO had a huge write-up, and at the bottom of the page was a line or two about Shellac.  I thought this was their idea of a joke.  Like, yeah you don't need to know much about them.  It's fucking Shellac.  But I don't know, maybe they just wanted to get to bed early?  I certainly was worrying about being up too late, so I appreciate the sentiment if that was actually the reason they opened.  Regardless, immediately I rushed inside excitedly, and got a beer quickly at the bar ($6, not too bad, not gouging you--this is one important reason why I think Bottom Lounge is a good venue).  I moved up as far as I could--maybe I could have moved up closer but I would have needed to pretend I was getting to a friend near the front.  The picture above is a fair representation of my vantage point.I heard them play the following songs.  (I may be off on the order):

Compliant
A Minute
Squirrel Song
Surveyor (which was meant to be "All the Surveyors")
Steady as She Goes
Riding Bikes
Killers/Wingwalker
End of Radio

Just getting to see that?  Worth $45.  Especially since I feel bad about not buying Dude Incredible.  Afterwards, I hung around.  I texted a friend.  I waited for MONO to go on, because I had to watch at least one of their songs before I left.  Then out of nowhere, I saw Steve Albini walk right in front of me.  I was like holy shit, if I want to talk to him, I totally have a chance.  I saw a couple people take selfies with him.  I didn't want to annoy him.

I don't know what I would have said.  In any case, it made me think about it, and a minute later I realized there was a merchandise table, and Bob Weston was sitting there.  So I bought a t-shirt off him and remarked that I was surprised it was only $15, I'd seen a lot of bands selling t-shirts for $30.  And he was like, "Well, you're getting ripped off."  I just thanked him profusely and mentioned that I missed the last show, and he was like, "Was it that long ago?"  I asked him to please play again soon because I missed the first 15 minutes because I didn't realize they were opening.  I explained about the website and how it made me suspicious, and he seemed to laugh at that.  If I am ever able to make the musician/idol I encounter laugh, then it is a gratifying experience.

It was worth the $45, but I still wish they played more songs.  I would have liked to have heard "Watch Song," "All the Surveyors," "This is a Picture," "My Black Ass," "Dude Incredible," "Prayer to God," "Billiard Player Song," and who knows what else.   I would watch them play for 2 hours.

Most evident in their performance is Albini's increasing ability to improvise.  Clearly, the best moment of the concert was the opening of "Killers."  It seems like they will always play this combo at most shows and everyone seems to know that it is the highlight.  In short I got super excited and it was an incredible performance of "Wingwalker," though not as loud or as brutal as I was hoping.  Albini's monologue was one of the better ones I've heard, with him proclaiming that we were all brothers and sisters descended from the same great grandmother and that he loved each and everyone one us but if he was up in the sky in the plane, and he had been trained to experience pleasure when he pushed the button, and he could so easily turn us all into dust, which is the problem with the fucking plane.

For the last song, everyone seemed to get excited, but I don't really like "The End of Radio" that much.  It's super boring, in the same way as "Didn't We Deserve a Look at You...," but I would rather hear that Terraform cut early on in a concert than "End of Radio" closing it out.  Clearly, "Watch Song," is the superior closing song.  Albini was quite clever in his improvisation for this one as well, but it didn't detract from the vague boredom I felt.  You can't dance to this song.  It's basically performance art.  And there was a cheer when Albini said something about apologizing to alien civilizations in 10,000 years for the shit that got played on the radio, which was nice, but yeah, I prefer their sinewy locked-in instrumentation, mixed in with Albini improv.

During the Q&A, they were asked, "What is Shellac's least favorite Shellac song?"  They could not give any by name, but Albini remarked that a whole bunch of them were batting .180 and were about to get cut.  I hope he didn't consider "This is a Picture" in that category.  If there's one critique I can make of Shellac it's that their setlist is fairly predictable.  Don't get me wrong, I am glad that "Killers/Wingwalker" always gets played, but I would like to hear some stuff off Terraform too.

Here is the T-shirt I bought.  Can anyone tell me what it means?

I'm not sure what that logo represents.

In any case, I went home and spent $17 on a cab.  What a waste.  A very memorable evening though and I am glad to memorialize it here, since my review of Dude Incredible is turning out to be surprisingly popular.  Maybe I should just write more about music to get more activity on this site.

I think that's pretty much everything I have to say about that.

Friday, January 2, 2015

Shellac - Dude Incredible (2014)

I just noticed that there were about 7 posts in May of 2010 devoted to albums released around that time (some of them are still memorable and classic--i.e. This is Happening and Sisterworld) so I should remind everyone that Flying Houses is not just a book and occasional movie blog, but a blog about the arts.  Dude Incredible came out in September of 2014, so this review is way, way late, but I have been listening to this album and other Shellac albums constantly since then, and I think any band that keeps you listening over, and over, and over, should be written about (even if they aren't that great--though Shellac is great), because it says something about your personality.  Something about that music touches you.

So what is it about Shellac that I find "touching?"  Their viscosity.  Their viciousness.

I started listening to Dude Incredible on YouTube but quickly downloaded it.  I didn't buy it.  Steve Albini has full permission to call me a douchebag, but I justify it.  I justify it because I bought 1000 Hurts and Excellent Italian Greyhound from Reckless Records back in 2006 and 2007.  The weird thing was, I never really listened closely to Shellac until now.  Let's just cut to the chase and point out that I discovered "Wingwalker" at the same time as this album, and it changed my life. (Rediscovering "Watch Song" was also notable, but not as revelatory.)

"Wingwalker" was released in 1994 as a B-side on the single "Doris."  This was shortly before their debut album At Action Park was released.  "Doris" is not a bad song at all, but it is only slightly awesome when compared to "Wingwalker."

Now I had heard 1000 Hurts as early as 2003, from a friend at NYU.  I later bought it, and Excellent Italian Greyhound when it came out in the summer of 2007.  I guess I didn't see what all the fuss was about, and never looked into their first two albums.

Mistake!

I got At Action Park through a friend in Austin, TX that let me import a few gigabytes of music off his iTunes.  I listened to it a bit, but never obsessively.  Now I realize that the run of songs between "The Admiral" and "A Minute" is almost perfection.

I didn't listen to Terraform until after my obsession took root.  Maybe I became so obsessed because Terraform was basically new to me, and it was like hearing two new albums at the same time.

But "Wingwalker."  "Wingwalker" was mentioned in a Pitchfork review or two and I absently clicked on it on YouTube after listening to a couple tracks from Dude Incredible.  It was almost as if, during the first listen, I had found my favorite song of all time.

How had no one ever played this for me before?
Did all of my musician friends just pretend they liked indie punk rock, and never really listen to it?

I don't really know what "Wingwalker" is about, but it seems to be about an aeronautic engineer that has sacrificed everything else in his life in the name of building a perfect plane.  It could be the theme song for The Wind Rises except that the tone of the song is a thousand times more menacing than that film.  It has an extremely dark, foreboding rumbling bass line, and a textbook loud-quiet-loud guitar part.  Except the entire song is loud.  There is also a breakdown in the middle of the song where Albini delivers a monologue about how the plane has become a metaphor for his life.  I have probably listened to the song hundreds of times (I listen to it about 1-3 times per day) and have not gotten bored.

Enter Dude Incredible.  After thoroughly ingesting all of the Shellac albums, I have to say this one is about as strong as all of their other albums, minus Excellent Italian Greyhound.  I would never say Excellent Italian Greyhound is a bad album by any stretch--I just get bored with more than half the songs on it.  Not the case for any other Shellac album.  Dude Incredible is short.  It's barely over 30 minutes and there are 9 tracks.  The opening track, the title track, is the best song on the album.  "All the Surveyors" and "Surveyor" are nearly as good.  The rest of the songs are pretty awesome, and I rarely skip them except "Gary" and "Mayor/Surveyor."  Probably the best parts of the album are the very beginning and the very end: the lyrics to both songs ("Dude Incredible" and "Surveyor") are awesome, but they are the best parts because there is so much to look forward to, and because ending the album with a quote by George Washington is pretty badass.

Enter Terraform.  Terraform is technically their second album, and I will not comment on The Futurist here except to say it is definitely their weakest album, but still, could not be called "bad."  The song most people mention when talking about this album is "Didn't We Deserve a Look at the Way You Really Are?" and they usually don't have kind things to say about it.  The song runs for 12 minutes and is basically a two-note bass line with a couple crazy moments of guitar crash and typical Shellac lyrical poignancy (Caught a glimpse of you in an unselfconscious smile/reveal yourself/didn't we deserve a look at the way you really are?).  I personally love this song because "This is a Picture" follows it, and "This is a Picture" is definitely on my top 5 Shellac songs list [(1) "Wingwalker"; (2) "Watch Song"; (3) "This is a Picture"; (4) "Dude Incredible"; (5) "Surveyor"].  It also has my favorite line: "You know where there'd be angels?/Heaven that's where/..../I can't wait to die/I can find me some/That's where I'll find my wife/When I'm through with my present one."

Every song on Terraform is pretty good once you get past the first track, but I like the way the first track just goes on forever and how the rest of the album flies by (except "House Full of Garbage," which is not the best song but also means a lot to me personally for reasons I will not discuss here).  "Disgrace," "Mouthpiece," and "Rush Job" each have really cool parts.  Some people think "Mouthpiece" is boring but I think the bass line in it is one of the hottest things they have done.

That is pretty much all I wanted to say.  Yes, I didn't pay for this album.  Yes, I missed the July concert at Lincoln Hall, and yes, I will pay $20 or $30 to see them live next time they play in Chicago.  And I will gladly play my top 5 songs by them for anyone with an open mind.  I liked a lot of albums in 2014 (the new St. Vincent, the Ex Hex album, Owls II...) but listened to this more than anything else--so, my favorite.

Thursday, June 6, 2013

Negligent Infliction of Emotional Distress #24: Farewell (Ode to the Napping Room)


Negligent Infliction of Emotional Distress #24: Farewell (Ode to the Napping Room)
By Christopher J. Knorps

“Is this thing on?
Can you hear me now?
Are we going?
Is this thing on?
Test, test, test, test, test, test...
Can you hear me now?

As we come to the close of our broadcast day
This is my farewell transmission
Signing off
Mr. and Mrs. America, and all the ships at sea
Anyone within the sound of my voice
I've got 50,000 watts of power
I want to ionize the air
This microphone turns sound into electricity
Can you hear me now?
Out on route 128, the dark and lonely
I got my radio on
Can you hear me now?
Can you hear me now?
Can you hear me now?
Can you hear me now?
It's the end of radio

And that snare drum
That drum roll
Means we've got a winner!
If you're the fifth caller
Or any caller at all... 

Welcome to my top ten
I'd like to thank our sponsor
But... we haven't got a sponsor!
Not if you were the last man on earth….
She was prepared to prove it…
This one goes up to a special girl
But... there is no special girl!

It's the end of radio
The last announcer plays the last record
The last watt leaves the transmitter 
Circles the globe in search of a listener
Can you hear me now?
Can you hear me now?
Can you hear me now?

Is this really broadcasting if there is no one there to receive?
It's the end of radio
As we come to the close of our broadcast day

I got my radio on
Can you hear me now?
Can you hear me now?
Can you hear me now?

This is the test 
If this had been a real emergency...
Hey, hey,
This is a real god damn emergency!”
-Shellac, “The End of Radio”

I.                     Introduction

When I started this column back in February of 2012, I took my cues from “Notions to Dismiss” by Michael Berman (for the name of the column) and “Legally in Love” by Lizzie B. (for the “sexiness” of the juicy gossip floating through our school—and yes, I think people still want to know who Lizzie B. was), but I had no idea I would complete 24 articles.  Before we go any further, I want to thank Steven Hasty for clueing me into the Advocate, Julie Adler for being the best editor I have ever  had, and Dwayne Thomas for allowing me to continue to express myself, as well as keeping me on guard when I would fall off the rails.
I wrote this column because law school is not great, but it has so much potential to be great.  I wrote this column because people seemed miserable here, and I sought to enumerate the reasons why.  There may be more than 24 reasons (and I fully admit that the topics of my columns have sometimes overlapped—See the multiple columns discussing the “50/50 Rule,” now the “60/40 Rule”) but I have done my best to give any prospective or current law student a road map of the pitfalls of legal education.
I would also like to note that I received significantly more “hate mail” when I was a 2L, but that now, as a 3L, with my columns becoming arguably more and more esoteric, few people ever comment on them.  This is either because (a) I am obsolete, or (b) the haters have realized the error of their ways. 
I may very well be obsolete.  I was not named our class commencement speaker, but I did not compete for that position.  This happened in high school too, you know.  I made an audition to be class speaker, and the class clown ended up getting it.  It was fine by me, and I just wrote my own “commencement speech” into an article in The Log at Loomis Chaffee.  I am not doing that here.  I am offering the ultimate NIED.  Welcome to my top 10.

II.                  Top Ten Classes

#10: Contracts (Prof. Winnie Taylor)
                While I did not do well in this course (B-), and while I sat in the way back row of the classroom (top left) and was doomed to failure by anxiety and the belief I still hold that Contracts is one of the hardest classes in law school and should actually be taken over both semesters for six credits (as Prof. Taylor also believed), the reading was always a pleasure (go figure!).  Perhaps it was in this course that I realized I wanted to take a curriculum in Business Law (which may have decimated my GPA, but which I believe was worth it—at this juncture at least), but most importantly, this was a 9:00 AM class which met three times a week.  There was a ton of reading and I didn’t put it into a good outline, but Prof. Taylor brought so much energy into the classroom everyday that I couldn’t help but pay attention.  I may not have done well in the course, but I will always remember her writing “POOR BLACK WIDOW” on the chalkboard, and the way she would say, “Oh boy!”

#9: Administrative Law (Prof. Araiza)
                I did reasonably well in this course (B+) and I sat in the middle on the right side with a couple friends that helped keep me on track—but they weren’t totally necessary: Araiza is an excellent professor.  This course sounds boring, and sometimes it is a little boring, to be honest, but its importance is adequately understood: the “headless” fourth branch of government probably has more impact on our everyday lives than any of the other “big three.”  There are also sometimes fascinating cases that branch off into many different areas of the law.  My favorite case was the Cinderella case, and I will never forget the feeling of knowing the material so well, but knowing that I would not be at the top of the class because there were so many other top students in it, and because Araiza was just that good of a teacher.

#8: Trusts & Estates (Prof. Serkin)
                I did reasonably well in this course as well (B+) and I sat in the second row (which became my de facto seat during 3L year).  Serkin lived up to the hype.  Unfortunately there appears to be a joke that can be made about the SBA Transition Dinner: whoever wins faculty of the year also wins “faculty most likely to leave BLS.”  While many may be sad that they will not have the opportunity to take a class with Professor Serkin, I cannot fault him for wanting to move to Tennessee, for it is a great state that still remarkably flies under the radar.  This was a fun course to take, and the casebook certainly made things interesting.  By far, from all the classes I took, this had the most bizarre casebook (the footnotes alone made me feel like the writers were constantly getting stoned and just telling the ridiculous stories behind the cases—or giving their opinions on James Lipton—because they realized how boring the material could be otherwise).  Serkin also recommended we watch The Art of the Steal, which is a great documentary and served as a nice “study break” (watch for the one scene near the beginning where an art appraiser walks through a gallery and is like, “Oh, Barnes would never get this, this is terrible,” and later says it is impossible to quantify how much the Barnes collection is worth—perhaps billions(!)) as we studied charitable trusts near the end of the semester.  I didn’t learn the intestacy regimes as well as I should have, but I felt the final was one of the “fairest” I have ever taken, and I feel that Serkin taught this course almost masterfully.

#7: Employment Law (Prof. Minda)/Debtors’ & Creditors’ Rights (Hon. Martin Glenn) (tie)
                Most of my classmates from these courses must think I am crazy for putting them in the top ten, but Employment Law gave me the highest grade I received in a 3 credit course (A—and though the results are not yet in from this year, I’m not optimistic) and Elizabeth Warren wrote the casebook for Debtor/Creditor and it was the best one I studied in law school.  Employment Law was a fascinating area to study and I am glad I read From Widgets to Digits and also glad I wrote a paper in lieu of a final exam (the only time I got to do that).  Debtor/Creditor was a tough class, and made tougher by a Judge-Professor taking on the MF Global case around Halloween, and though I may not have done well on the final, nobody did, and I got a B+.  So I think it was the only time a really hard final worked in my favor.

#6: Constitutional Law III: First Amendment (Prof. Araiza)
                Araiza gets two mentions, but this course ranks higher because it has some of the most fascinating jurisprudence of the Supreme Court.  It was in this course that I finally realized Justice Douglas was my favorite of them all, and that I should try to live up to the standards that he set for himself.  Araiza never talks about his clerkship on the Court, but it hung out there in the back of my mind, and I wanted badly to ask him about all the things that happened while he was there, but I understand if that must be kept confidential.  Regardless, hearing his eminently reasonable and incisive interpretations of the Court’s opinions was a true highlight, and I bemoan the fact that I will never be able to take a course with him again.  Not only was he a good professor—he was a good person, and made himself more available to students than any other professor I had.  I will never forget him saying, “Pardon my language, but I’m just quoting: ‘We’ll take the fucking street later!’” or the last time a group of us sat in his office and discussed how obscene internet videos had to get before the Court would say they fell outside the protection of the First Amendment. 

#5: Evidence (Prof. Pitler)
                This is another one that a lot of my classmates might disagree with, but Pitler did not try to pull any tricks.  He told us that if we just did the problems, we would do well.  And I did.  While I only got a B+ on the exam, he told me he boosted me to an A- because I came into every class prepared to offer up my answers to the problems he had assigned.  I appreciated that there was very little reading.  Also, Pitler delivered a stirring lecture in our final class on the Crawford case and the Confrontation Clause that was one of the most entertaining and informative talks I have ever attended.  The school should have video recorded that class, because it was a definite highlight for me.

#4: Criminal Procedure (Prof. Baer)
                Professor Baer warned me that if I took Crim Pro with her, she would “kick my butt.”  She “kicked my butt” in Corporations (giving me a B, while admitting I earned a B- on the exam, but participated well in class and therefore got boosted) even though I appear (very briefly, and in a friend’s beret!) on the school’s website in a video from that course.  It was not a bad course, but I bemoaned her use of Powerpoint.  She did not use Powerpoint in Crim Pro, and this was easily one of the most fascinating courses in law school.  The reading was usually quite interesting (some people call it Con Law IV because it is all Supreme Court opinions) and Prof. Baer always assigned a reasonable amount of reading for each class.  I never felt overwhelmed and felt that she used her time in class very effectively.  And I do not think she will kick my butt, because I took the course pass/fail (and update: I passed).

#3: Interviewing & Counseling (Prof. Schultze)
                Everybody should take a class with Prof. Schultze.  He is a popular professor, and for good reason: there really is not much work to do.  This is a 2 credit class.  But it can be a little bit stressful when you are on the chopping block!  Prof. Schultze could have his own reality show based on his classes.  While the class was easy, it was also fun and useful—learning how to appropriately approach clients is a fine art, and it is one skill that I will leave law school believing I have learned well.

#2: Business Reorganizations (Prof. Gerber)
                Also known as “Debtor/Creditor Part 2,” this was a fun 3 credit class to take, and Prof. Gerber is one of the best at BLS.  I will never forget his drawings of pies to represent chapter 7 and buche-de-noels (or twinkies) to represent chapter 11 (and I am sort of sad I missed taking the class after Hostess declared bankruptcy) and his drawings of pigs to represent banks, nor his mentioning that his brother wrote the comic book Howard the Duck or that he went to high school with Sheldon Toibb.  While the course can sometimes be challenging, Prof. Gerber always made it comprehensible through his classes, which blended lecturing and calling on volunteers.  He did not try to “trick us” on the final, and I was very pleased to get an A- in that course—it is one of the grades that I am most proud of in law school.  It was also through this course that I found my “dream area of practice” and at least got a shot at a couple bankruptcy judge clerkships.  I didn’t get them, but Prof. Gerber made time to help me try.  Also, it is perhaps worth noting that I sat in on his Contracts class in the Spring of 2010, and that it was the best class I attended at any of the law schools I visited, and that his style and presence as an “interim Dean” made me feel reasonably secure (not totally secure!) that I had made the right decision by attending BLS. 

#1: Securities Regulation (Prof. Fanto)
                I just mentioned Fanto to another student a couple hours ago and she said, “Oh, Fanto’s a god.”  That about sums it up.  Securities Regulation may be one of the most difficult classes in law school (I personally found Corporate Finance more difficult because of all the math, and Federal Income Taxation more difficult because of all the material), but it was always a pleasure to attend the lectures, even when Fanto admitted that he hated teaching the material (on Regulation S).   Simply put, I was very lucky to take a class with him.  I will never forget him shouting, “you have to be quiet!” during the first few classes or hearing his opinions on Congress (“they don’t have any idea what’s going on anyways…”) and our unfortunate position of needing to implement the JOBS Act into our understanding of the securities laws.  Also now whenever I go on a road trip, I will try to pick out abandoned bowling alleys, because he says it is usually easy to do—and that underscores my opinions on this course: it’s incredibly important stuff, but it’s contained in these incredibly dense and archaic statutes.  Fanto was great at making us understand just how important it was, and while I do not know my grade yet (perhaps I did terribly), I will always remember those classes very fondly. 

III.                 NIED #23 ½ : Restriction on the Right to Practice

90% of us will be staying in New York City post-graduation.  That is the figure that gets tossed around as a student begins their law school journey.  90% of law school students stay in the same jurisdiction (or is it state?) as their school.  A problem arises when a student’s attitude towards their “law school home” sours over the course of three years. 
Sometimes it is not too big of a deal.  You don’t like New York?  Well go to Connecticut, or New Jersey, or Massachusetts.  Take 2 Bars.  You can do it; it’s fine.  BLS “strongly recommends” taking the Bar Exam in two states (i.e. New York and New Jersey), and updates information for these two states but leaves the rest up to the student. 
I don’t know the deadline in California, I’ll admit.  But I do know the deadline in Illinois is February 15, and the total fee (if filing is timely) is $850.  It then jumps to $1,050 for “late” registration if done by March 31, and $1,450 for “really late” registration if done by May 31.  I never looked into this matter until a fellow Chicagoan told me it wasn’t possible to do Illinois and New York at the same time.
It would have been fine, for me, a student without a job who is torn between two states, if that other state was New Jersey, but it’s not.  Perhaps it’s the difficulty of traveling between two states on a Monday, Tuesday, and Wednesday (or can you take the Bar in a different state in your home state?  I don’t think so…), but you cannot take the New York and Illinois Bar exams because they are both two day exams on Tuesday and Wednesday (i.e. the MBE on Tuesday and the “state test” on Wednesday).  
The deadline for New York (we all knew) was April 30, so it is still possible for me to file “really late” in Illinois, and forfeit the NY Registration fee of $250, but I’ll have spent $1,700 in the process and will probably incur about $1,300 in moving expenses, and then who even knows about residency in Illinois.  Furthermore, switching at this late stage of the game is exactly the type of distraction that seems tailor-made for Bar Failure. 
This is the last NIED column because it goes to the last complaint about law school: when you don’t have a job, and aren’t sure where things will be better for the long term, nobody can give you satisfactory advice.  You just need to stick to your guns, pick one, and pray.  The state of indecisiveness is a horrible one that can make even the most talented minds wither under pressure.  It’s not like we’re Lebron James and we can orchestrate a television special to state which city will be so lucky as to have our legal talents.  We’re the opposite.  There’s too many of us, we’ve been told, so which city is unlucky enough to have to support one more mediocre (if grades are any indication) lawyer?  After all if we were destined to be a great lawyer, we would have a job by now, right? 
I throw my hands up and say once and for all that this is one area in which I cannot offer persuasive advice.  The best advice I’ve been given is to take the New York Bar, stay here until December or so, see if I have a job by then, and if not, return to Illinois and take the Bar there in February, because the MBE score will transfer.  This is easier said than done, though, as my remaining funds will likely dwindle down to almost nothing by that point.  And who really wants to take the Bar Exam twice? 
It’s all cold comfort this time, I suppose.  You should just pick your law school in the region where you’re sure you want to live.  If you didn’t do that, then you must be sure you want to return home, and you will already have your plan in place.  Unfortunately there is no back-up option—except if one happens to be from Washington D.C. (or Alaska, I’ve been told), where you can “waive in” immediately. 
In order to promote fairness, law students should be able to “waive in” to every state.  There are questions on the MPRE (which—surprise, surprise—applies nationwide) which state that non-compete clauses in partnership agreements are unenforceable because they constitute a restriction on the right to practice.  The Bar Exam is the ultimate restriction on the right to practice, because it forces a person to say, “This is my home, and I wouldn’t rather be anywhere else.” 
I loved going to school in New York from 2001-2005 (the “honeymoon period” after 9/11 truly made me believe that New York was the greatest city in America, and that there was nowhere else I’d rather be) so it seemed to make sense for me to pick New York over Los Angeles (and Chicago) for law school between 2010 and 2013.  Now I just see it as an overcrowded bundle of nerves, anxiety, car-lessness, high rent and claustrophobia (or maybe I only feel this way because I lived in Brooklyn Heights for 3 years) and I wish I had more “contacts” in other cities so that I could confidently believe that it would not be a bad career move to leave this place.   
The ABA should definitely consider broadening the right to “waive in” because while 90% of us may be staying, it may not be the most “voluntary” decision we make after starting.  Many of us are simply not the same people we were three years ago. 
There is a quote in the library (a gift from the class of 2010) from a movie that is not about law school, but is thought to apply to law school.  I have one other such quote: “I believe whatever doesn’t kill you, simply makes you…stranger.” 

IV.                 Top 5 Hardest Exams

#5: Property (Prof. Macey – Spring 2011)
While I earned a B+ in this course, and do not feel I did all that well on the exam, I was pleasantly surprised by this grade.  Property, it has been said, is the most useless first year course in law school.  That may be so, but sometimes it can touch on interesting and/or “useful” areas of the law (I remember hating the Mark Rothko case in Property, but then embracing it during Trusts & Estates).  In any case, many students complained about how hard this exam was, and I had no real reason to complain, but it was a very difficult exam to finish properly in the time allotted (there were “too many issues”).

#4: Accounting for Lawyers (Prof. Hauptman – Fall 2012)
While this exam was not necessarily difficult, the course itself was certainly the hardest 2 credit course I took in law school.  Our professor told us there would be no “tricks” on the exam, but this is a tricky course, and because I did not put in the requisite amount of effort throughout the semester, I suffered on the final.  My advice is not to underestimate this course if you plan to take it.  It is not “easy,” as a student a year ahead of me claimed. 

#3: Civil Procedure (Prof. Schneider – Fall 2010)
While this was the most “pleasant” grade I received in my first semester of law school, question #4 was the hardest question I have ever had to answer on an exam.  It made me want to cry.  I wrote two short paragraphs as an answer to #4 (which had a lengthy and confusing fact pattern about two and half legal-sized pages long) and apparently did as well or better on that question than any of my other percentages.  I guess it was one of the few times that everyone else was just as flummoxed as me.

#2: Corporate Finance (Prof. Myers – Fall 2012)
While I did not do all that poorly on the essays on this exam, I badly fouled up the multiple choice section.  This was one of the most difficult classes in all of law school because (like accounting), I did not put in the right amount of effort in during the semester.  It was a strange exam.  It was completely “open.”  We could use any and every resource at our disposal.  A lot of the other students probably hit “Control + F” and cycled through their outlines and cut-and –pasted their answers.  I didn’t have the presence of mind to do that, nor did I have the presence of mind to know all of the Microsoft Excel functions like the back of my hand.  A tough course and exam primarily because of the math involved.

#1: Debtors’ and Creditors’ Rights (Hon. Martin Glenn – Fall 2011)
I will never tire of talking about this course, nor the impossibility of this exam.  This exam caused both vomiting and tears (not from me, but other students taking it).  I was pleased with my grade on it (as noted above) but found the experience of taking it to be excruciating.  It was like a really scary roller coaster ride but gave off no great feeling of relief and accomplishment at its end. 

V.                  Areas for Reform and Conclusion

Brooklyn Law School is not a terrible place, but there are certainly some changes that would go a long way towards making it better.  I offer my own idiosyncratic suggestions here:

First, BLS should offer its students $50.00 per year on their printing account.  $25.00 (or $12.50 per semester) is insufficient for a typical student’s printing needs.  Further, there should be an option for students that never use the printing stations in the library to have a zero balance.  The former President of the SBA rebuffed this recommendation saying, “You need to raise tuition to do that.”  Well, our tuition was raised roughly $3,000 over the course of our three years and our printing account amount never went up, so to that I say, “No.”

Second, BLS should offer one color printer in the library.  It is sad when a student asks me if we have color printing and I sheepishly send them to 1 Boerum Place, even though I am not 100% sure there is a color printer there that they can use.  Just one color printer would be a nice addition to the library. 

Third, BLS should have a more robust academic advisement program.  We are given an academic advisor in our first year (one of our professors, I presume) but that professor may not necessarily want to engage the students in talking about their long-term goals and how best to achieve them.  While I am generally satisfied with my course selection, there were two or three classes that I wish I hadn’t taken.  The school does offer a panel every year on how to choose your upper-class curriculum, but more student-specific counseling should be mandated in the way that career-counseling is only “suggested.”

Fourth and finally (and this list is by no means exhaustive, just specific things I would have liked), the school should offer the option of a retroactive pass/fail.  This could be used by students to “nix” a grade that destroyed their GPA if the course had a pass/fail option that was not elected by the student during the course of the semester.  While this may have caused internal problems earlier, with the bright-line 80% standard the school has set for scholarships, just as remedial statutes should be interpreted broadly, such a standard would improve student morale and remove the problem of students “shooting for a D” on exams they know will be graded pass/fail.  If there were concerns about abuse, it could be changed to only allow for retroactivity in the third year (and not be available for the incoming 2-year-program).

In conclusion, it has been a long and often boring ride, but I hope that I have played a small part in helping to make this school a better place for students.  Some of the best moments I have enjoyed were in the “napping room” (104M in the library), and it is my hope that one day I can return to the school and officially have that room designated as such in my honor.  Students need a place in the library where they can relax for a few moments in an anxiety-free zone, and sleep if they must.  Everyone that knows the “napping room” is for this purpose will agree that it is one of the best “student-made” changes in the school.  And it is my hope that other students’ suggestions will bring about positive changes in the future in different areas of the school.