Showing posts with label Publishing. Show all posts
Showing posts with label Publishing. Show all posts

Wednesday, March 21, 2012

Negligent Infliction of Emotional Distress - Super Priority Administrative Expense


Around this time of the semester, it’s important that you keep your priorities straight.  As a 2L, I can only speak to my present experience and my experience last year.  3Ls, I will attempt to anticipate your priorities. 
                In order to measure this model appropriately, I am going to use the inverted pyramid that Dean Gerber has supplied us with in his Business Reorganizations class. (Please see www.blsadvocate.org to see all images).  The inverted pyramid is the priority scheme for Chapter 11 claims.  There are 9 levels.  If you are at the bottom (equity/shareholders) you stand the greatest risk of receiving zero, so any task at the bottom may in fact, not be given any time at all.
                We will start with 1Ls as I know them best.  Now, as a BLSPI mentor, I was recently instructed to e-mail my mentee and tell them to “stay strong” during this week, as it’s a particularly brutal one.  Moot Court Trial Division tryouts were this week – and if you participated, it was likely that you could not do any other homework until your tryout was finished.  The anxiety of it all was crushing.  And then, when you entered that room, the judges told you to, “Have fun.” 
                Moot Court is probably a senior secured claim/lien for anyone dying to get the chance to act like a lawyer before they officially become one.  Almost everyone I know on Moot Court (trial, at least) has told me that it has been the most rewarding experience in law school for them, period. 
                For individuals such as myself, who were 2Ls trying to do the impossible –that is, make Moot Court and a Journal through an open note —who had the draft of the paper intended for the open note due Friday - it presented a quandary.  Clearly, for me, moot court/open note occupy high rungs on the inverted pyramid.  However, I doubt I will be advancing to the next round (I ended up the one getting crucified on cross, not the defendant—and update: I did not advance), and so one more claim will be allowed to fit. 
                For the sake of simplicity, I will offer my suggestions for prioritizations now.  You may fill in your own pyramid if you like, but I include my own personal one in the illustration, and the “generic one” for all 2Ls in the text below.
 
1Ls (Who Want to Work for Skadden, et. al.):
 1) Studying/Outlining/Exam Practice – GRADES (note: Moot Court may be occupying #1 if you are called into the 2nd round) – YOU MUST BE IN THE TOP 10% TO BE CONSIDERED FOR OCI;
2) Class Participation;
3) Getting a Summer Internship;
4) Making Friends and Influencing People (partying, dating, etc.);
 5) Journal Competition;
6) Getting to Know Professors;
7) Getting Involved in the City Bar;
8) Thinking about Transfer Opportunities;
9) Staying Sexy.
               
  (A short revision for those 1Ls that have no interest in the big paycheck – because, you know, about 1-3% of the classmates in our year will actually be getting those jobs – becoming as involved in Pro Bono Projects as possible is probably the best thing you can do if you are a public interest person, and that should be in your top 3 (probably #3, as it’s possible for the internship to follow naturally from the Pro Bono work).

2Ls:
1) Grades/Moot Court/Journal (if you didn’t make OCI, and you’re not working as a summer associate, grades should still be top priority – if you are on Moot Court or Journal, I believe these take top priority—If you are on both, Moot Court takes priority in terms of TIME over Journal, which varies by deadlines);
2) Getting Internships or Clinics for the Fall and Spring;
3) Getting a Summer Internship/Job;
4) Making Friends and Influencing People;
5) Defining Your Area of Focus;
6) Pet Projects (Writing Contests, Clubs, Shot-by-Shot Remakes)
7) Building Relationships with Professors;
8) Staying Sexy;
9) Making Yourself Stand Out

3Ls:
1) Securing a Job after Graduation;
2) Moot Court/Journal;
3) Getting Internships or Clinics in the Fall and Spring;
4) Making Friends and Influencing People;
5) Grades;
6) Staying Sexy;
7) Chilling Out (if you are so lucky to be able to!);
8) Publishing Articles;
9) Defining Your Reputation/Leaving Your Mark.
           
     Of course, dictating priorities is always controversial, but I do believe there is one generic, straightforward, guiding principle that controls: law school can be extremely boring at times, and you need to find the part about it that you love, and put yourself in that happy (or, more accurately, “fun”) place as often as possible.  For me, it is being 29 and getting to hang out with 23 year olds and getting to act immature.  Those lost years I spent working in the wilderness of the low-wage sector with few friends or similarly-situated co-workers have been recompensed by making new friends in the same situation, with a slightly wider age range.  No matter what priority scheme applies to the “reorganization” of your professional persona, appropriate management of priorities is a simple, yet useful method of reducing stress.
   
             Christopher J. Knorps is a 2L with very strange priorities.  One of them is to hold an Open Mic on Thursday, April 5th, in Geraldo’s, from 7-10 PM.  He hopes you will consider performing, or at least attending.  The event is free but there will be voluntary $5 donations taken for Sanctuary for Families, and free food and beverages.  There will also be performances of Vagina Monologues.  Please e-mail Christopher.Knorps@brooklaw.edu if interested in performing or reading or singing or dancing or playing.   

Thursday, February 23, 2012

Note on Copyright

As you may have noticed, I have copyrighted all material on Flying Houses.

This was done as a result of my friend, who took Copyright Law last semester and wants to practice it, telling me that I had left myself extraordinarily unprotected in perhaps the easiest medium to copy, cut, paste, and steal: text.

Daylight Savings Time, the novel, has also been copyrighted.

While Flying Houses is run as a public service to all of the book lovers of the world, I have become quite interested in the traffic stats of late. Flying Houses is more popular than ever. And it is definitely possible that some of my material is being hijacked.

I won't stand for this as Flying Houses will soon be celebrating its 4th birthday, and I have spent countless hours working to perfect a distinct style and tone to the material. If others profit off the work that I do for no pay, they will be found out and reprimanded appropriately.

That said, please feel free to share any reviews or articles on this blog. After all, I am quite happy about the traffic hitting new peaks each month. But, if you would like to re-publish something, please contact me for permission.

You may do this by commenting on any post and stating your request. I will generally not seek pay - just credit. And if you are trying to write an essay for high school or college about one of these books, please, write your own paper (and know that I will be happy to discuss whatever ideas you may have for it - Flying Houses is not sparknotes - these reviews are not academic in nature - they do, however, provide a springboad for academic commentary, and I am always pleased to discuss such matters).

Sunday, July 25, 2010

My Essay on Tao Lin and Our Histories Intertwining

ORIGINS

I have been aware of Tao Lin for approximately four years. The first instance of our relationship began when I left a comment on his blog about an interview he had done for Bookslut. This comment is still on his blog and I look back on it and feel embarrassed since it is one of only 2 comments on a link still prominently displayed.

That post attempted to engage Mr. Lin for our similar educational backgrounds, similar age, and similar vocational practices. I do not think we have much in common otherwise. However, one of my best friends once shared a dorm room with him.


GENEROSITY

One of my favorite things about Tao is his generosity. After my first abortive attempt at contacting the iconoclast, I applied to MFA programs, became a reject, finished my first novel, moved to L.A., wrote 70% of a second novel, and returned to my home. Boomeranged, broken. I didn’t know what I was going to do anymore. I finished that second novel, and then I started doing NaNoWriMo. Halfway through November, I got a temp job, which was nice. Then, right as I was about to finish NaNoWriMo, call it a case of “chemically-unbalanced-writer’s-excitement/manic part of manic depression,” I decided to ask Tao if I could review his first novel, Eeeee Eee Eeee for my blog, which I had started in L.A. He said yes and sent me the book for free and I read it and asked him if I could interview him and he said yes. I finally wrote that review on Thanksgiving morning, 2008.

Later I would lend it to my friend who is a tough critic. Tao passed that test.
Later I would ask if I could do the same for Shoplifting from American Apparel. This was in August of 2009. Tao agreed again. More generosity.
A few days ago I asked if I could receive a galley copy of Richard Yates. My request was honored. Generosity again. I hope to have that review up in August 2010. And I hope to do a few more interview questions.

I am not a book critic for the Chicago Tribune or New York Times, and while I am sure Tao would love their coverage, I appreciate his ability to make this complicated job called “fiction writer in 21st century” a little more transparent for all of us. I don’t know if I want to be a writer anymore when I read his blog posts about how little money he earns from writing. I keep doing it regardless, and I don’t think clearly about prospects for my future. Perhaps I am missing the point: my blog. Flying Houses is not even HTML Giant or MOBYLIVES, but Tao gave me a chance, and I am happy with having a few more readers that could potentially find something else they like on it.

NETWORKING

All my Dad ever talks about is networking. I hate networking. I hate going to cocktail parties, because I get too wasted, and whatever connections I might make, well, people just think I am a drunk, and therefore unstable, and therefore not worth their networking time. That’s in person. Networking on the internet is different. For one, it is scarier. If anyone wants, they can go cycle through all my old posts on this blog, or on the messageboard at pw.org. and find something I said that is terribly stupid and deserving of hardcore condemnation. It happens. Cyberbullies exist. But on the other hand, networking on the internet is so easy. Add a friend on Facebook. Talk to someone about what they tweeted about. It’s all well and good and nice and fun. But what about when you want to “get serious” and meet in person? What do you have to say that is of any import? How do you not come off sounding like a total vulture?

No more ruminations on the internet, though the internet plays a huge role, I would argue, in Tao’s literature. I have not read Richard Yates but I want to because I liked both his first novel and his first novella. I have not read Bed and it would be nice to have a copy.

SHORT STORY

Here is a short story about what happened to my copies of Eeeee Eee Eeee and Shoplifting from American Apparel: I met a girl through an online dating site and we went out a few times and she seemed like one of the coolest girls I had ever met in my life. We would go out to lunch or dinner, and we would get stoned and listen to indie rock, and we would watch movies, or else walk nearby Barack Obama’s house in Kenwood. In short that is what I like to do with my time. She was cute and I was willing to look past the fact that she was a Starbuck’s barista and generally unreliable when it came to comprehensive assessments of life. As is the case with most of the girls I have dated, she broke up with me in a very passive-aggressive manner. This was not before I had leant her some CDs, and these two books by Tao Lin. She did invite me back once, so she could give me the CDs. But she had not finished both books. She loved them. She wrote on her Facebook wall that they “made her feel schizophrenic” and that she “couldn’t stop reading.” She also wrote that Tao was apparently a “friend of a friend.” Not anymore, because a couple weeks later, she de-friended me. This after I sent her random text messages asking her if she planned to give the books back. She said, in her text message, “I never intended to keep the books.” Well, she still has them. The copy of Eeeee Eee Eeee had a personal inscription from Tao to me that I cherished deeply. And now it sits in whatever sordid living room she inhabits, corrupt, wrong, inappropriate for her to own.

HIPSTERS

My feelings about this girl are roughly commensurate with my feelings about hipsters in general and Tao’s fans. That is, on the surface, they are fun, they are cool, they are the type of people I want to befriend and hang out with, but underneath, once you get to know them, you realize they are weird and mean and don’t give good reasons for the fucked-up things they do to you. I’m not trying to give them a bad name—I’m just talking from personal experience, and leaving open the opportunity for someone to prove me wrong.

RICHARD YATES, THE NOVEL

Richard Yates, I believe, will be Tao’s best book yet. I don’t want to get too crazy since I haven’t read it yet, and I don’t want to say, “I was wrong!” in my upcoming review. But each of his first two novels showed a progression, and Richard Yates is a more serious title than either of the first two, and Richard Yates was a very good writer (so I’ve been told), and I know Haley Joel Osment and I share at least two things in common and I don’t know why Tao chose to use celebrity names as main character names, but I happened to do the same thing in my third novel (in progress) and I wonder if it has to do with the fact that nobody reads anymore and everybody goes to the movies (or if it is to make casting an adaptation easy).

(By nobody obviously I mean “95% of the American populace does not read, or would not recognize the name Tao Lin” and by everybody I mean “95% of the American populace will not have seen The Runaways but will know who Dakota Fanning is and everybody saw The Sixth Sense, etc.)

MEETING TAO

I have suggested that Tao visit Quimby’s book shop in Chicago so I could see him on tour. I thought that would be so cool. Then I see he has set a date there. Have fun there, Tao! If you moved from Williamsburg to Wicker Park, you’d be like, the coolest person since Stephanie Kuehnart. But now I will be unable to see that glorious moment, as I will be entrenched within new legal studies. Still, I will be in Brooklyn, and I hope I will meet Tao eventually.

He is like a legend, a ghost. But he exists. Who made that “I am Carles” t-shirt? I don’t know, but I saw one person wearing one at the Pitchfork Festival last weekend. Whatever Tao’s army is, it grows. It grows because literature, as we know it, the ability to make our voices heard, to be paid for our time spent actively opening up our worlds for strangers to inhabit and learn from experience, is dead or dying. I suffer, and wait to kill myself until I am 40 because that’s about the time most people realistically publish their first novel these days. But as I suffer, Tao’s army grows, and I attempt to join it, and do not feel like a full-fledged member, but still feel as if I am “part of something.” Tao’s detractors may say that his work is meaningless or immature or just plain stupid (all critiques are understandable, too), but they are just looking for a way to assert their dominance in literary games. They don’t break the same rules as him. They think the rules he breaks are sacred.

DEATH OF LITERATURE

No rules are sacred when literature is dying. I will persist in saying literature is dying until an agent speaks with me personally about why my work is bad. Tao is not going to save literature. And he may not even have found a way for it to pay his own rent yet, but he updates his blog mercilessly, I know he works very hard, and one day it will have to pay off. It will have to pay off or else you have to start challenging anyone who dreams of being a writer: what do you have to say, why is it so important to say, why are you special, and can you figure out the secret combination to unlock a publishing contract?

I don’t like challenging people on their dreams. Society in general is at fault here, but Tao is doing what he can to make things right, and for that I will always read his books.